Reed's chapter from Ian Hamilton's survey of twentieth-century poets, with analysis and biography.
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Listen to BBC recordings of Henry Reed and actor Frank Duncan reading "The Complete Lessons of the War."
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Bailey writes a remembrance of Reed's time at Bletchley Park during the Second World War.
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Mentioned several times in discussing British poetry of World War II, Shires looks at "Naming of Parts" at some length.
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"The Radio Plays of Henry Reed," a chapter by Roger Savage, detailing Reed's comedic and dramatic work for the BBC, with a bibliography of his plays.
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Discusses Reed's contribution to the poetry of the Second World War.
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Poet Jon Stallworthy's critical and biographical introduction to the Collected Poems.
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Description of The Papers of Henry Reed collection, held at University of Birmingham Special Collections.
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This encyclopedic entry has a short biography of Reed, and a bibliography which includes an extensive list of his radio dramas.
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Poet Elizabeth Jennings' analysis of Reed's poetry, with a brief biography and a lengthy bibliography.
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Harold Branam's entry for Reed includes a biography, analysis of the central works, and a brief bibliography.
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Reed's obituary in the Telegraph.
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Dedicatory letter to George D. Painter in the collection Hilda Tablet and Others.
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Douglas Cleverdon's biographical note, focusing on Reed's radio drama, with a brief bibliography.
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A biography of Reed by poet Jon Stallworthy, with comments on the poems, radio plays, and translations.
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Reed's foreword to his collection of radio drama The Streets of Pompeii and Other Plays for Radio.
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Richard Boston's obituary for Reed remembers him as the playwright and the poet.
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An excellent interview with Reed, for a retrospective of the Hilda Tablet series of radio plays.
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An introduction to the seven-part cycle of radio plays written by Reed for the BBC between 1953 and 1959. External link.
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Reed's answer to a questionnaire about life as a writer.
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John Lehmann considers Reed's poems, and reflects on their early correspondence.
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Obituary written by Reed's friend and colleague, Douglas Cleverdon.
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Jenkins feels that Reed's best poetry displays 'a special feeling for romantic potentiality, the moment before something tremendous happens or after it has receded.'
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Reed writes high praise for W.W. Jacobs, author of "The Monkey's Paw," for his precision and economy of style, in this 1947 introduction to one of his longer stories.
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Lomas found Reed's poetry boring in 1946, and he finds little more redeeming about it in 1992: 'Reed is simply not interesting enough linguistically.'
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Frank Kermode's evaluation of the Collected Poems, with personal reminiscences of Reed in London and Seattle.
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A letter to the editor from Ed Leimbacher recalls Reed's days as a visiting professor in Seattle.
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An interactive Google map displaying places and events relating to Reed's life and work.
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Allen's reminiscences of Reed, in Birmingham, Seattle, and London.
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A brief biography outlining Reed's radio plays, poetry, and translations.
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Harvey Breit's 1947 review of A Map of Verona and Other Poems.
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Vernon Scannell's commentary on Reed's series of poems, Lessons of the War.
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A short, but admirably thorough biography of Reed, focusing on the Lessons of the War, but also touching on the translations and radio plays.
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A brief, flattering biographical note by poet and editor Kenneth Allott: "Naming of Parts" and "Judging Distances" are 'among the best and most intelligent poems produced during the war.'
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Essay on the lowly and peculiar piling swivel, featured in Reed's "Naming of Parts."
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This 1992 review of the Collected Poems portrays Reed as an anachronism whose later work could never compare to his 'outstanding' earlier poems.
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Reed's preface to his adaptation of Melville's novel for BBC radio.
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Interviews with Reed's acquaintances Henry Carlisle, William Matchett, Robert Heilman, Dorothee Bowee, and M. Taylor Bowee.
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Newsletter article profiling the collection of Reed's papers, manuscripts and letters at the University of Birmingham. External link, .pdf file.
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Derwent May, former editor at the Listener, reminisces about Henry Reed, shortly after his death in 1986.
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Brownjohn feels Reed's 'shorter lyric pieces... [are] coherent and approachable, carefully shaped, both tender and sinister in mood.'
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Major events in Reed's life listed by year, including his publications, travels, and productions of his radio plays and translations.
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Reed's obituary, and notice of memorial funeral service.
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The poet Marvin Bell considers Reed's "Naming of Parts," comparing it with his own experience training and serving in the U.S. Army.
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Contains an excellent examination of the 'military/poetic' problem in Reed's "Judging Distances," and "Unarmed Combat."
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Reed himself contributed the abbreviated information for his entry in Who's Who.
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A short, encyclopedic biography of Reed, with links to related names and terms. External link.
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Biography of Reed, with commentary on his major works and a short bibliography.
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