In 1953, Reed wrote a critique of Eliot's prose as it relates to his verse, called "If and Perhaps and But" (
Listener, 18 June 1953, 1017-18). I hadn't realized until today that the title is actually a quote from a self-deprecating poem of Eliot's: "Lines for Cuscuscaraway and Mirza Murad Ali Beg" (part V. of "Five-Finger Lessons," originally published in
Criterion 12, no. 47 (January 1933): 220-222).
How unpleasant to meet Mr. Eliot!
With his features of clerical cut,
And his brow so grim
And his mouth so prim
And his conversation, so nicely
Restricted to What Precisely
And If and Perhaps and But.
How unpleasant to meet Mr. Eliot!
With a bobtail cur
In a coat of fur
And a porpentine cat
And a wopsical hat:
How unpleasant to meet Mr. Eliot!
Apparently, "Cuscuscaraway" and "Mirza Murad Ali Beg" were the names of Eliot's dog and cat (and Mirza Murad Ali Beg was really the author of
Lalun the Beragun, a 19th-century work of historical fiction set in India). This is actually Eliot parodying Edward Lear's "How Pleasant to Know Mr. Lear" (
Nonsense Songs, 1871), the text of which can be read in this Slate.com article by Robert Pinsky, a "
little anthology of poems that deliver insults."
In parsing through the new BBC Programme Catalogue, I've turned up five radio plays Reed translated late in his career. One is later, in fact, than even Reed's reworking of
Moby Dick in 1979. And he's credited with none of them in any bibliography I've seen (not even the exhaustive
Contemporary Authors entry from 1999). Not surprisingly, the plays are all adaptations from Italian, Reed's adopted mother tongue. Here are the details, in chronological order:
Room for Argument, by Luigi Pirandello. Broadcast on Monday, January 7, 1974 at 8:00 p.m., Radio 4.
Like the Leaves, by Giuseppe Giacosa, broadcast Sunday, May 30, 1976 at 2:30 p.m., on Radio 4. (The Programme Catalogue has Monday, May 24, but the London
Times disagrees.
Word Aloud also has the 30th.)
The Soul Has Its Rights, by Giuseppe Giacosa. Broadcast on Wednesday, June 22, 1977 at 3:05 p.m., Radio 4.
Duologue, by Natalia Ginzburg, broadcast on Tuesday, September 20, 1977 at 9:30 p.m., Radio 3. (The Catalogue says January 3rd.
Duologue is listed in the
Sound Archive catalogue, but is undated. I'm double-checking.)
I Married You for Fun (
Ti Ho Sposato per Allegria), by Natalia Ginzburg. Broadcast Monday, January 7, 1980 at 7:45 p.m., on Radio 4, and repeated Saturday, January 12 at 2:30 pm. (
Word Aloud confirms. Also in the Sound Archive catalogue.)
Because I'd never seen these titles before, they stood out like sore thumbs. But I'd say, even if that's all I turn up, the Programme Catalogue has already started earning its keep.