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Documenting the quest to track down everything written by (and written about) the poet, translator, critic, and radio dramatist, Henry Reed.

An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life.

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Henry Reed, ca. 1960


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Reeding:

I Capture the Castle: A girl and her family struggle to make ends meet in an old English castle.
Dusty Answer: Young, privileged, earnest Judith falls in love with the family next door.
The Heat of the Day: In wartime London, a woman finds herself caught between two men.


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«  Posts from 09 December 2011  »

Reeding Lessons: the Henry Reed research blog

26.11.2021


In 1971, the BBC issued two collections of Henry Reed's plays for radio: Hilda Tablet and Others: Four Pieces for Radio, and The Streets of Pompeii and Other Plays for Radio. The Hilda Tablet volume collects the plays A Very Great Man Indeed (1953); The Private Life of Hilda Tablet (1954); A Hedge, Backwards (1956); and The Primal Scene, As It Were (1958), including restoration of some "indelicate" scenes which had been censored or changed for broadcast.

To mark the publication of the plays, Reed was interviewed by Christopher Ford for an article in the Guardian, "The Reeve's Tale" (Herbert Reeve was the bumbling biographer in the Tablet plays, you see). A retrospective of the plays and their broadcasts, the article features this wonderful photograph of Reed (poorly scanned, sadly), taken by staff photographer Peter Johns:

Henry Reed

Reed's quotes for the article amount to just a few paragraphs. Prodded about rumored accusations of libel from (the unnamed) composer Elisabeth Lutyens for his Hilda Tablet character (voiced by Mary O'Farrell), Reed deflects:

As long as the characters are funny it doesn't matter who you're getting at.... In fact I'm not 'getting at' anyone, only myself—there's a good deal of aboriginal Hilda Tablet in me.

The big revelation in the article is that Reed was actually working on an eighth Hilda Tablet script as late as 1968 (in his dedication for Hilda Tablet and Others, Reed says "Altogether, they totalled seven. The number is sometimes given as nine; but people exaggerate"):

I was writing another, it was going to be called 'After a Certain Age'—I was writing it one night and the next morning Douglas Cleverdon, the producer, came round for some other reason and had to break the news that Mary O'Farrell was dead. She was a sine qua non. So it was never completed, but Hilda was going to be the reason why Skalkottas had suppressed his music all his life. We were going to be make out that this was on Hilda's advice.

Mary O'Farrell died on February 10, 1968, more than eight years after the last play in the Hilda Tablet saga, Musique Discrète.

The article closes with a hilarious anecdote of Reed still having trouble coming to terms with his place in the canon of literature and broadcasting, even at the age of 57:

I saw the Penguin Dictionary of Modern Quotations in a shop. I remember thinking 'I've got 150 sleeping tablets at home, and if I'm not in that I'll take some of them with a large Pepsi-Cola.'

Ford reports more than three columns were devoted to Reed in the 1971 edition.


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What is Henry Reed's first name?

1532. Vallette, Jacques. "Grand-Bretagne," Mercure de France, no. 1001 (1 January 1947): 157-158.
A contemporary French language review of Reed's A Map of Verona.



1st lesson:

Reed, Henry (1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8 December 1986.

Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, Bletchley Park, 1942-1945. Freelance writer: BBC Features Department, 1945-1980.

Author of: A Map of Verona: Poems (1946)
The Novel Since 1939 (1946)
Moby Dick: A Play for Radio from Herman Melville's Novel (1947)
Lessons of the War (1970)
Hilda Tablet and Others: Four Pieces for Radio (1971)
The Streets of Pompeii and Other Plays for Radio (1971)
Collected Poems (1991, 2007)
The Auction Sale (2006)


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