A Map of Verona'[A] man of considerable verbiage.' There's an understatement. If there is a British analogue of this publication, I'd love to see the entry for the 1946 London edition, published by Jonathan Cape.
By Henry Reed. 5¼ x 8½. $2.50.
Publisher: Reynal & Hitchcock, Inc.
Manufacturer: Cornwall Press
Type: Lino. Electra 10/13: 24x38
Stock: Perkins & Squier 60, 2R
Binding: Athol Teralin, light green
Stamping: dark brown ink
Designer: Gerald Gross
The format for this collection of poems is without stimulation. The case is stamped only on the length of the spine in brown ink and the pattern and color of the cloth is uninspired. The book is rough trimmed; my own inclinations are always to trim, unless hand made paper or a deckle edged sheet is used. The presswork-lineup and binding are poor. There is little correlation between the front matter pages and the tenor of the text, and it would seem that the designer didn't have enough time to pay the necessary attention to details. The poetry is nicely set in Electra 10/13 with with heads in 12pt. Roman caps in Bodoni Book. The folios could have been larger than the 8pt. italic: this way they look as though they were trying to hide. The author is a man of considerable verbiage and very often there are one word runovers and where these occur, they are flushed right, directly under the end of the preceding line, it may make for easier carry-over of thought, but I'm not sure that the effect is pleasing when looking at the page. I didn't waste time sending my eye back to the beginning of a new line, but I did fumble at first until I was able to adjust to it.
