About:

Documenting the quest to track down everything written by (and written about) the poet, translator, critic, and radio dramatist, Henry Reed.

An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life.

Read "Naming of Parts."

Henry Reed Henry Reed
Henry Reed Henry Reed
Henry Reed, ca. 1960


Contact:


Reeding:

I Capture the Castle: A girl and her family struggle to make ends meet in an old English castle.
Dusty Answer: Young, privileged, earnest Judith falls in love with the family next door.
The Heat of the Day: In wartime London, a woman finds herself caught between two men.


Elsewhere:

Books

Libraries

Weblogs, etc.


«  Reed Reviews A Poets' War  »

Reeding Lessons: the Henry Reed research blog

4.10.2024


Reed Reviews A Poets' War

A recent excursion to a local university afforded me the opportunity to access a database I wouldn't normally have access to: the Sunday Times. Reed appears less frequently than you might expect, and mostly late in his career: a few scattered book reviews between 1965 and 1970.

Here we have a prime example of why you wouldn't want Henry Reed to review your book. He simply disassembles the author, Hugh D. Ford, and then settles in to attack his book, A Poets' War: British Poets and the Spanish Civil War (1965), and wraps up with a quick assay of the subject matter:

A Poets' War

Spain, '36-'39: no art out of war

A POET'S WAR: British Poets and the Spanish Civil War
by Hugh D Ford/Oxford, for the University of Philadelphia 48s
By Henry Reed


ONE of the major traditions in the English departments of American universities is the ritual production, by advanced students, of a PhD thesis. It is a further tradition, only rarely broken with, that the basic subject of the thesis shall be of microscopic dimensions and even smaller importance; the test for the student appears to be how far he can make it stretch, either by irrelevant digression, or by simple repetition. All being well, his thesis is accepted, the PhD achieved.

By this time the ex-student has become an obsessional: after a little pause he returns to his subject, and decides that a few extra chapters might not come amiss. He adds not only these, but also a forty-page bibliography consisting largely of books unreferred to in the text, and a three-page preface giving separate thanks to pretty well everyone he has met since the age of five, ending with his wife, whom he refers to in expressions of tender gratitude which must sometimes come as rather a surprise to her. The result is a book.

Mr Ford gives us a book. Of the two stretching-methods I have referred to, Mr Ford prefers simple repetition. The basic materials he selects are, after all, extremely scanty: two dozen or more inoffensive poems about the Spanish Civil War, few of them with any particular merit, and many by names that have never been seen outside the journals of the time. These writers are of course fairly distinct from each other: all they have in common, apart from their allegiance to the Republicans, is an incapacity for memorable speech. Most of their authors would probably not even bother to own the poems by now. Yet Mr Ford contrives to blur any distinctness that may be discovered in them, by ruthlessly submitting to each and every one of them the same examination paper.

He conducts this as a viva voce with no replies allowed except his own: Is such-and-such a poet sacrificing personal sincerity to politics? Is he writing propaganda? Doesn't the reference to so-and-so in stanza two introduce too personal a note if complete identification with Communism is the aim? I can't believe that anyone can possibly care about this. There are roughly 150 pages of it; and the unfortunate poems are up to the neck in it.

From the later stages of this morass, which grows denser with repetition, there rise up with an unexpected look of genuine durability about a dozen poems by names well known before the war in Spain. These include Auden's "Spain," which its author has recently described in print as "trash," half a dozen well-controlled poems by Spender, a few pages of deceptively casual vividness by MacNeice, three or four lyrics by Herbert Read, and Day Lewis's narrative poem "The Nabara."

These poems, and possibly a few others, have survived the epoch in which they were written, and this, I gather, Mr Ford, after much cautious mumbling and bumbling, concedes. Some of them—Spender's subdued elegies, for examples—seem in some odd way better than they did when they first appeared. There seems no point in re-inserting any of these distinguished works into their historical context; just as, in reverse, there seems no longer any point in isolating the Spanish War from the years of ever-spreading Fascism that led to it, and the world war which Franco's success perhaps made inevitable. To those who followed its fortunes, the Spanish War had a particularly sharp and saddening taste, which we may on occasion suddenly recall: a true imaginative and creative gesture might still be made from memory of it. But on the subject of the gestures made at the time, half a dozen succinct pages should by now be enough.
Robin Skelton reports that W.H. Auden referred to his own Spanish Civil War poems as 'trash' in the preface to Poetry of the Thirties (Harmondsworth, England: Penguin, 1964). This issue of the Sunday Times also contains a review of Vincent Brome's The International Brigades: Spain 1936-1939, by Stephen Spender.


Add Notation:

Name:
E-mail:
Webpage:

Notation for "Reed Reviews A Poets' War":
Allowed: <a> <em> <strong>
What is Henry Reed's first name?

1537. Radio Times, "Full Frontal Pioneer," Radio Times People, 20 April 1972, 5.
A brief article before a new production of Reed's translation of Montherlant, mentioning a possible second collection of poems.



1st lesson:

Reed, Henry (1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8 December 1986.

Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, Bletchley Park, 1942-1945. Freelance writer: BBC Features Department, 1945-1980.

Author of: A Map of Verona: Poems (1946)
The Novel Since 1939 (1946)
Moby Dick: A Play for Radio from Herman Melville's Novel (1947)
Lessons of the War (1970)
Hilda Tablet and Others: Four Pieces for Radio (1971)
The Streets of Pompeii and Other Plays for Radio (1971)
Collected Poems (1991, 2007)
The Auction Sale (2006)


Search:



LibraryThing


Recent tags:


Posts of note:



Archives:

Current
February 2023
July 2022
June 2022
May 2021
February 2021
January 2021
October 2020
March 2020
January 2020
November 2019
October 2019
June 2019
May 2019
April 2019
March 2019
February 2019
December 2018
May 2018
April 2018
January 2018
February 2017
January 2017
October 2016
September 2016
February 2016
December 2015
August 2015
July 2015
May 2015
March 2015
December 2014
June 2014
April 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
January 2013
December 2012
October 2012
September 2012
July 2012
June 2012
April 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
July 2010
June 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
December 2004
October 2004
March 2004
January 2004
December 2003


Marginalia: