'Island of Goats,' a recent flop on Broadway, had foreign appeal on both sides of the Atlantic. Having previously clicked in Paris, the show repeated with the foreign press reviewers in N. Y. It drew unanimous pans from the first-string Broadway critics.
The Ugo Betti drama, adapted by British playwright Henry Reed, folded Oct. 8 at the Fulton Theatre, N. Y., after seven performances. Following the windup performance, Saul Colin, a member of the Stage & Screen Foreign Press Club, took over the stage to praise the play, noting that 80% of the foreign publication aisle-sitters had turned in favorable notices.
Colin also shook hands with the entire cast, who had been standing on one foot and then the other.
The Ugo Betti drama, adapted by British playwright Henry Reed, folded Oct. 8 at the Fulton Theatre, N. Y., after seven performances. Following the windup performance, Saul Colin, a member of the Stage & Screen Foreign Press Club, took over the stage to praise the play, noting that 80% of the foreign publication aisle-sitters had turned in favorable notices.
Colin also shook hands with the entire cast, who had been standing on one foot and then the other.
[October 19, 1955, p. 71]
And here's Reed's aforementioned Variety obit, from the New York edition, January 7, 1987, p. 151: