About:

Documenting the quest to track down everything written by (and written about) the poet, translator, critic, and radio dramatist, Henry Reed.

An obsessive, armchair attempt to assemble a comprehensive bibliography, not just for the work of a poet, but for his entire life.

Read "Naming of Parts."

Henry Reed Henry Reed
Henry Reed Henry Reed
Henry Reed, ca. 1960


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Reeding:

I Capture the Castle: A girl and her family struggle to make ends meet in an old English castle.
Dusty Answer: Young, privileged, earnest Judith falls in love with the family next door.
The Heat of the Day: In wartime London, a woman finds herself caught between two men.


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All posts for "History"

Reeding Lessons: the Henry Reed research blog

21.12.2024


Birmingham Under the Blitz

Between August 8, 1940 and April 23, 1943, the city of Birmingham in England's West Midlands suffered 77 separate bombing raids by the German Luftwaffe. The city endured a total of 365 air raid alerts. The intended targets were the region's indispensable aircraft, transportation, and arms industries. All told, German air attacks destroyed 12,391 homes, 302 factories, 34 churches, halls and cinemas, and more than 200 other buildings. The human cost of the "Birmingham Blitz" (Wikipedia) was a total of 9,000 casualties, of whom 2,241 were killed. This is second only to the damage inflicted on London during the war.

There is an excellent slideshow depicting the aftermath of the attacks on the Birmingham Air Raids Remembrance Association (BARRA) website.

BARRA logo

In a 1996 interview, the Surrealist painter Conroy Maddox (previously) mentions two incidents when he took shelter with Henry Reed during the Birmingham air raids, once in a public bathroom, and again at Birmingham Town Hall:

Well, I suppose the significant moments were dodging the bombs as you fought. Henry Reed, the poet, was in Birmingham at that time, and lots of other people, and I remember being with him once, we were walking near Aston, and suddenly we heard bombs falling around, the alarm had already gone off, so we went down to a public lavatory. And of course women did as well, to get out of... it seemed a fairly safe place. But it was a bit embarrassing for the women, you know. But, we just sat on the books we had. And I always remember the book I had, which was Nicolas Calas's "Confound the Wise" (WorldCat), which is a glorious study of course, and I remember sitting on that on these cold slabs, you know, for hours on end until the alarm, the all-clear went off. Henry Reed and I once, a lot of people sheltered in the town hall under the arches, but we decided not to stay with the crowd but went up on the balcony and sat there. It wasn't until the light came that we realised it was a glass skylight, which wasn't very safe. But, no, I mean, the other thing of course was, you didn't know what was going to happen, I mean you just, you went to parties one night, you stayed up, or lounged around all night; you had to work the next morning, and you would go to another party the next night, you know. (F6321B, page 24)

The interview was conducted by Robin Dutt at Maddox's home in London, as a part of the National Life Stories collection: Artist's Lives project, and is available through the British Library's Archival Sound Recording service. There is a full transcript of the interview (208 page .pdf), but audio is only available in the U.K., and requires an Athens ID.

Maddox had been "reserved" from military service during World War II, as he was working in the engineering and design industry, so I'm not entirely sure what he meant by "dodging the bombs as you fought". In the interview he remembers thinking: 'I don't really want to be in the Army, all this walking the troops that, you know, soldiers do. Flying I didn't believe in, you know, and as for the Navy, well you know, they still had that idea of women and children first. I wasn't in favour of any of these things' (F6321B, page 21).

It's easy to see why Maddox and Reed were friends. I wonder what book Reed was sitting on, in the loo?



1541. Trewin, J.C., "Old Master." Listener 53, no. 1368 (19 May 1955), 905-906.
Trewin's review of Henry Reed's radio drama, Vincenzo.


Antelopes

I walked downtown yesterday, chiefly for exercise, but also to while away a few hours at the campus bookstore. It's finally warming up here, after a cool, wet spring. It was a pleasant walk, if a little on the hot side: there's honeysuckle in the woods along the road into town, and the Beds and Breakfasts have all kinds of fragrant, flowering shrubs which are coming into bloom. There are even some late flowers still punctuating the magnolias. (Or are they early?)

I'm trying to put detailed, relevant descriptions with each entry in the bibliography, making searches easier, and references to my hardcopy less necessary. At the bookstore, hogging wireless bandwidth and surping at a giant latte, I spotted a mention, in the Introduction to the Collected Poems, of Reed staying at the Antelope Hotel while he was researching his biography of Thomas Hardy (which he never finished), in 1945 or '46, after his release from the Service. Turns out, there are several Antelope Hotels in the UK.

At first, I thought it was this Antelope Hotel, in Sherbourne, Dorset. Dorset is Hardy country. But the Introduction specifically mentions Dorchester, and both Hardy's cottage and his estate, Max Gate, are closer to that city. Perhaps this Antelope Hotel in Poole was the hotel mentioned?

Last night, after dinner, I was trying to track down a photograph of the hotel, and discovered there once was, in fact, an Antelope Hotel in Dorchester proper. It's been turned into a shopping arcade. A mall, of all things: The Antelope Walk. A crying shame.

In 1685, James Scott, the Duke of Monmouth and illegitimate son of Charles II, made a play to overthrow King James II. Following the defeat of the Duke's forces at the Battle of Sedgemoor, participants in the Monmouth Rebellion were rounded up and tried for treason. The "Bloody Assizes" (trials) were presided over by the Chief Justice of the King's Bench, better known as "Hanging Judge" Jeffreys, for his ruthlessness in currying favor from the Crown.

The Bloody Assizes were held in the Oak Room of the Antelope Hotel, Dorchester, in September, 1685. Judge Jeffreys is said to have had a secret passage over the rooftops leading from his lodgings at 6 High Street West (now Judge Jeffreys Restaurant and Steak House. Not kidding.) to the Court. One hundred seventy-five convicted rebels were sentenced to transportation: sold into slavery in the West Indies. Still, this was probably preferable to the fate of the seventy-four men sentenced to death: hanged until dead, drawn and quartered, their heads displayed on pikes in throughout the West Country. Twenty-nine suspected rebels were pardoned. (Judge Jeffreys, by the way, died of kidney disease in the Tower of London, after James II fled England in 1688.)

The old Oak Room is still there. It's a tearoom, now.



1540. Trewin. J.C., "Keeping It Up." Listener 52, no. 1342 (18 November 1954), 877. 879.
Trewin's review of Henry Reed's operatic parody, Emily Butter.



1st lesson:

Reed, Henry (1914-1986). Born: Birmingham, England, 22 February 1914; died: London, 8 December 1986.

Education: MA, University of Birmingham, 1936. Served: RAOC, 1941-42; Foreign Office, Bletchley Park, 1942-1945. Freelance writer: BBC Features Department, 1945-1980.

Author of: A Map of Verona: Poems (1946)
The Novel Since 1939 (1946)
Moby Dick: A Play for Radio from Herman Melville's Novel (1947)
Lessons of the War (1970)
Hilda Tablet and Others: Four Pieces for Radio (1971)
The Streets of Pompeii and Other Plays for Radio (1971)
Collected Poems (1991, 2007)
The Auction Sale (2006)


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